THEORETICAL WRITINGS

 

Peninsulae of perception / Halbinseln der Wahrnehmung

 

no.1 Bout du monde (Ende der Welt) by Liquid Penguin

no.2 Ukiyo (Moveable World) and Audiophonics by Johannes Birringer

no.3 Performer-Instrument by Caroline Wilkins

no. 4 Kinetism by Luca Forcucci

no. 5 Temporary Spaces by Luca Forcucci

no. 6 Disappearing Spaces/ The Art of Disappearing by Verena Leuken

no. 7 Time and Out of Time

no. 8 Silence by Feresteh Vaziri Nasab

no. 9 When Silence Swallows the Dancer by Wiebke Hüster

no. 10 Resonation & Resonancivity by Johannes Birringer

no.11 Halbinseln der Wahrnehmung.… zum Beispiel Autismus by Andreas Lenhard

no.12 Research links coordinated by F. Scott Taylor

no. 13 Auditorily-induced illusory self-motion: a review by Aleksander Väljamäe

no. 14 Auditory Distress as a Conceptual Basis for a New Approach to Music Theatre by Pieter Verstraete

no.15 ‘Sensibilisation towards theatre’
Theatre games involving objects, communication, space and sound.
A workshop led by Caroline Wilkins

no. 16 Mecanica Natura by Caroline Wilkins

______

 

building buildings & appearing spaces

case study: EMPAC

(Curtis R. Priem Experimental Media & Performing Arts Center, Rensselaer Polytechnic Institute, Troy, New York, USA).

 

_____________

 

 

Texte und Kommentare zum Labor 2009 werden hier veröffentlicht

Texts and commentaries on the 2009 lab and related research subjects will be published here.